23/6/2014 Literature at Village Green 2014!... and another literary festival for Southend-on-Sea! Is it C*******s already? Back in February, I posted THIS BLOG about the press briefing I attended at Metal Southend's HQ at Chalkwell Hall about the 2014 edition of their annual Village Green festival. Since then, Metal have been constantly adding more and more performers and artists. Head HERE if you want to know about the myriad of things happening across the festival. I mean, there is so much going on, it's already quite an event as it is. But there is more... And I know where all the Cool Cats will be on the day, no mistake... There is going to be a festival-within-the-festival. This year's Village Green will host the pilot for a new literary festival in Southend-on-Sea. Of course, we already have the fab Shorelines Festival (see here for my report of last year's edition). But it looks like in 2015, Southend's seafront might host a rather different beast of a literary festival: a Literary Noir Crime festival over a whole weekend... And what better place to try it out than Village Green? This new exciting event is the brainchild of authors Cathi Unsworth, Travis Elborough and Syd Moore. Travis Elborough says: We really wanted to work within the genre of crime and mystery fiction and produce something intelligent, stylish, with a vintage vibe that reached out to new audiences who might not normally think of going to a literary festival. This first edition promises to be a real treat. Here's a taste of the programme for the day (12pm to 8pm): Pioneering psychogeographers Chris Petit and Iain Sinclair explore the life and work of the late great Derek Raymond (considered to be the founder of the British Noir genre) among other things. Crime Writer's Assocation Gold Dagger Award winner, Lilian Pizzichini - reading Making a Killing at the Kursaal, about Southend’s famous landmark, from her family memoir, Music Night at the Apollo. The Sohemian Society Players: A Drop of Tea With Acid is a murderous brew of mystery and satire inspired by the crimes of the infamous 1940s 'Acid Bath' killer and consummate spiv John George Haigh, written by Marc Glendening and starring Callum Coates, Duncan Bolt and Emma Brown. Cathi Unsworth in conversation with Travis Elborough about the Dark Currents that run between the coast and crime fiction. Max Décharné will trace the journey of classic pulp fiction from the dimestore to the big screen, with clips and live music performance. Syd Moore and Mark Pilkington in discussion about local Fortean curiosities: witches, smugglers and highwaymen. Paul Willetts talks about his book, North Soho 999, which traces a murder that took place on the streets of Soho in the 1940s and which prompted a nationwide manhunt that eventually focused on Southend. Anna Whitwham, the author of acclaimed crime novel, Boxer Handsome, interviewed by writer Ann Scanlon about women working in the corrupt worlds of sport and popular music, where they are not always made welcome by men. And there's going to be some music! Sophie Loyer, a gypsy-blues-jazz violinist, and the fabulous The Cesarians (believe me, I've seen them but cannot find my live pictures to put on here!), a truly thrilling seven-piece band with incredible charisma and energy straight out of the best smoky 1920s-30s Berlin cabarets... They will probably be the best dressed band of the whole festival! I am supposed to cover the Village Green festival for this blog and possibly for a French music website, but I know I will be tempted to spend the whole day inside the Dragnet tent... I leave you with The Cesarians... 17/6/2014 New event announced!I am delighted to confirm a second event for Arcane Publishing and Matt ArtPix: we will have a double stall at the Southend Book and Arts Fair at The Forum on Saturday 4th october 2014 as part of our new swanky library's first anniversary celebrations... We are really looking forward to it; the event taking place a mere 10 minute-walk from our house is an added bonus!
13/5/2014 Book Talk series, number 1: Jordan ReyneI am absolutely thrilled to present to you the first in my interview series, "Book Talk".
And what a way to get started! an absolutely thrilling interview with the very talented Jordan Reyne, whose first novel, Remembering The Dead, is out now. What began as a "Book talk" became something else altogether. Really, really interesting. Subjectivity in the way we interpret history - very fitting with the current debate surrounding WW1 "celebrations" - as well as philosophy, music, the fluidity of language(s), writing, self-publishing, storytelling, surviving... It's all in there and more. Thank you Jordan for giving us such in-depth answers to my questions! READ JORDAN REYNE: REMEMBERING THE DEAD 11/5/2014 A day in Whitstable and WhitlitThis weekend, we went back to lovely Whitstable to attend an event at the first WhitLit, the Whitstable Literary Festival. It is a shame that we couldn't stay over for the whole weekend, as there were quite a few interesting events. Then on the day we decided to attend, we had to choose between two events that fatefully took place at the same time in two different places in town. So I opted for the talk on British Gothic (one of my fave subjects) with one of my favourite contemporary writers, Christopher Fowler, over the one about two of my favourite classic authors (namely Charles Dickens and most of all Wilkie Collins, whose work has inspired my second novel, The Book of Thoth). I have written about Whitstable before on this blog, HERE and HERE. My partner Matt ArtPix also posted a lovely blog about the place two years ago, you can read it HERE. We adore the architecture around the town, and there definitely is an atmosphere... So yes, we are big fans and we will most certainly go back. Yesterday, there seemed to be even more interesting shops than the last time we were there. This is what a high street should look like: all the shops (or very nearly) taken up, mostly by independent businesses which have kept the uniqueness of the interior of the buildings they now occupy. We spent a while in the fabulous Oxford Street Books, a treasure trove that had me virtually drooling. Whilst in the basement, a young couple wandered in. I didn't pay attention to them at all until the girl said - with a very bored tone of voice "Why don't you just get your books off the Internet?" (i.e Amazon); I almost SCREAMED. She did look bored. They left. The poor guy didn't even have time to browse properly! Their loss. We on the other end took our time. In the shop, there was a signed copy of the first and only edition of The Bois Saga written by local VIP resident Peter Cushing. It was £195.00, of course... and no, I didn't buy it! There is an ebay listing for it HERE with a lovely and rather poignant write-up. We also paid a visit to Harbour Books, the local independent bookstore and associate of the WhitLit festival. I bought a Dorothy Parker poster in there... oops. As part of the WhitLit festival, a second-hand books event had been organised at All Saint's Church Hall. You just have to say "second-hand books" for me to come running. And there was a tea room as well, which was perfect after so much walking around! I was amazed: people literally bought PILES of books! It was so wonderful to see! I got my hands on a wonderful little book called Gobbolino, The Witch's Cat by Ursula Moray Williams (written in 1942, this edition 1966). It's cute, and I am going to read it, because, hey, it's got witches and cats in it! I also rescued the lady above from a charity shop. Isn't she just handsome? I can feel a book coming with her as the heroine. In the evening, we attended a talk about British Gothic at the Horsebridge centre as part of the WhitLit festival. The two speakers were Christopher Fowler, a favourite of mine - I encourage you to read his very entertaining and above all informative blog, which he updates daily. I try and read all his posts as I always learn so much about cinema and books! Chris was also one of the speakers at the week-long "Culture Lab: on Writing Fiction" I attended in Southend in October 2012. I have been reading his books since the late 90s, but I really struggle to catch up as he is so incredibly prolific (I am genuinely in awe of this, as I am such a slow writer...) The second speaker was the very knowledgeable Barry Forshaw, writer and journalist and Vice Chair of the Crime Writers' association, who has a brand new book out about British Gothic cinema. The discussion - introduced by David Sutton, editor of Fortean Times - was simply fascinating, and one hour wasn't long enough. We could have sat there until midnight without getting bored. The two entertaining speakers swapped ideas, opinions and anecdotes about Gothic cinema, literature and characters. It really was a delight to listen to these two experts describing encounters with the greats of British Gothic cinema (Peter Cushing, Christopher Lee), taking us on a journey from the beginning of the genre to the special effects-saturated movies of current times and Hammer's resurrection. At random, a few things that got mentioned: Dracula, Frankenstein, MR James, Mary Shelley, Ingrid Pitt, lesbians, The Innocents, Hammer Films, Bela Lugosi, sets being reused again and again for different films, Carry On Screaming, Mr Fowler's Bryant and May series... and so many other things! We then had a few things signed... Of course, I had to get the latest in the Bryant and May series, I can't wait to start reading it! Afterwards, we decided to hang around in the cafeteria for a bit with some nice hot drinks, whilst the venue was getting readied for the next talk of the evening.
Sitting by the floor to ceiling glass doors leading onto the terrace and looking down at the town outside, we admitted that we didn't really want to go home and that yes, we could see ourselves live in Whitstable... I'm very busy these days. Things are moving fast and a lot needs to be done. I am just glad freelance work has dried up this month so I can get on with stuff (Ok, no money in, but we won't panic just yet!). I still need to promote Book 1, I Am a Muse, and my imprint and bookselling venture, Arcane Publishing. More on that later this week I hope, I am waiting for something to come in to share it with you on this blog. I should also be able to tell you more about some forthcoming events and ideas! Watch this space... By the way, talking about I Am a Muse: Steve Pottinger, the poet and publisher who created the independent imprint Ignite Books and who so generously shared publishing tips with me and typeset I Am a Muse last year, is on the BBC news website because of a letter he had written to Caffe Nero about their tax-evasion tactics (someone has done some research about it, see the results HERE). Steve is a very passionate and eloquent speaker who deserves your attention. He will be appearing at quite a few events over the next few months, so try to go and see him! All dates HERE. The manuscript of book number 2, The Book of Thoth, is now finished. Draft 4 was completed yesterday and I am giving it a quick once-over this afternoon. I am quite pleased with it, it is definitively the book I wanted to write. I could probably fiddle with it for another six months or so but time is running out: publication date is December 2014 and I would like to have the freshly printed books piled up in my lounge by the end of September latest. The manuscript is now going to Matt ArtPix who will be designing the cover and typesetting the whole book. No pressure, then! I am now turning my attention once more to The Right Place, which will be book number 3. I wrote the opening chapter during my week-long Culture Lab "On Writing Fiction" at Metal in October 2012 and read an updated version of it at the Shorelines literary festival last November. Now is time to start the next phase of my research: I need to build up the back story, plan the plot, etc. Unfortunately, my Arcane Publishing funds are severely depleted and will be even more so once The Book of Thoth has been printed (it is a big book!). I hope to find a solution to this state of affairs in the forthcoming months and keep the ball rolling! I love using boards. I pin anything I think will help me put the book together: pictures, notes, postcards, maps, ideas, etc. The one I have for The Right Place only has the two pictures above on it; I pinned them this morning. The images come from The Sunday Times Magazine's Spectrum section. They are part of Italian photographer Marina Rosso's project "The Beautiful Gene". Kat Moorhouse, one of the main characters, is a red-haired girl. I'd like to inject a bit of Pre-Raphaelite beauty into the book... Another character in The Right Place will be the Dorset landscape and its relationship with the people who inhabit it. The book might not feature any straightforward supernatural phenomenon like The Book of Thoth, but the mythical and mystical qualities of the countryside there will definitively have a strong influence on the story.
I cannot wait to get started! We had another day in London yesterday. It was genuinely lovely, the sky was blue and the capital didn't look as busy as usual - maybe Londoners and tourists had decided to make the most of the sunshine outside of the metropolis on this Bank holiday weekend... First a visit to the Charing Cross market stamp fair on Northumberland Avenue (you can also find coins, currency and postcards). This is held in an underground car park underneath Charing X station every Saturday. My personal finds were an envelope used by a firm of solicitors complete with broken red wax seal (I was really happy about this one as I have a scene with an old-fashioned letter sporting a red wax seal in my second novel, The Book of Thoth, and I have never seen a real one before, funnily enough!). What was sent in it, I wonder? I really regret now not getting that 25 billion dollars Zimbabwean banknote... I could have gotten 3 for £1!!! That's what I call a good change rate. Then I got my hands on quite a moving item... A "postcard" sent by a French soldier, Lucien Legouge, to his godmother - whom he has never met - from one of the German prisoner of war camps (Stalag VII-B, which was located in Memmingen in Bavaria) . The godmother lives in the French occupied territory. I have done a bit of research, and I have found a video of the liberation of that very same camp on YouTube! Amazing footage! Then we were off to The National Portrait Gallery to see The Great War Portraits exhibition. My favourite items in the exhibition are Jacob Epstein's futuristic The Rock Drill, La Mitrailleuse by Christopher Richard Wynne Nevinson, William Orpen's self-portrait, Selbstbildnis als Soldat by Ernst Ludwig Kirchner and an elegant portrait of the great war poet Siegfried Sassoon by Glyn Warren Philpot. A very sobering and poignant exhibition. You can listen to a tour of the exhibition with curator Paul Moorhouse HERE. Back on the Central line then to go back to East London. We went to one of our favourite places, Old Spitalfields market, where So Vintage London were having their monthly vintage market. We were there on a special mission but we cannot say more at the moment...
We love walking around all the markets in the area, it is so incredibly vibrant! We love the Brick Lane Tearooms and all the other Truman markets, which is packed full of marvellous antiques! I couldn't resist those two fabulous Edwardian ladies in Swallow and Pips! I wouldn't cross them if I were you! 1/5/2014 Squid Publishing Inc author page!I now have an author page on the Squid Publishing Inc website! I am thrilled to be in such good company: Ignite Books, Steve Pottinger and Joolz Denby are on there as well!
Draft 4 of The Book of Thoth has been a bit neglected today but I am now going back to it! There is a small review of the Shorelines literary festival written by yours truly in issue 16 of Southend's cultural magazine, Level 4 (my long report from the festival can be found HERE).
This should have been a printed magazine, but unfortunately the editor didn't receive enough advertising revenue to pay for the printing. The magazine is available to read online HERE. There are quite a few interesting articles in there so make sure you go and have a read! 16/4/2014 The Arcane Publishing online shop is up!I have set up an Arcane Publishing online shop - very basic at the moment and only selling copies of I Am a Muse.
I still need to work on it and I hope to upgrade to a better version in a few months' time in order to sell my second-hand and vintage books on there soon. Watch this space! WARNING: VERY LONG BLOG! Well, this was a hell of a week! After a relatively quiet winter, things have picked up on the culture front. Last Tuesday, we were off to the lovely Theatre Royal Stratford East to see the new version of Oh! What a Lovely War. I do hate musicals with a passion and would have to be dragged to one kicking and screaming, but I knew that this one would be different. Highly satirical and poignant, it highlights the absurdity of the "war game(s)" and that of the military - not forgetting how naive the civilian population can sometimes be. The play has been visually freshened up and you have to admire the cast's energy and hard work. Note to Michael Gove: maybe you should have shut up before you criticised the play as you now appear at the beginning of it paired up with a donkey... Just sayin'... For a more comprehensive review of the show, go to my partner's Matt ArtPix's BLOG - he has been studying WW1 for years and is better placed than me to give his opinion about the show. On Wednesday, we were off to a venue we had never been to, Village Underground in Shoreditch, to see the infamous Laibach - whom we have seen before on numerous occasions! The Slovakian "avant-garde" art collective - whose main body of work concentrates on the links and interaction between ideology and culture - keep reinventing themselves with each project; their latest one, Spectre, is a brilliant, addictive collection of multi-layered tracks sung in English - a bit less industrial, a little bit more electro, with "quasi-pop" moments... Laibach have always been exceptional live and tonight's sold out gig didn't disappoint: the background visuals were striking; the live drums added impact to each and every track; Milan's presence was as impressive and authoritative as ever, his deep-seated, sonorous voice counter-balanced by the mysterious and charismatic Mina Spiler's clear, pitch-perfect vocals. Mina's place within the band has really grown; she now fully shares vocal duties with Milan (she is also given writing credits in Spectre) and exudes the confidence and attitude necessary for such a performance (she fronts her own band, Melodrom). The first 45 minutes saw the band play the whole of Spectre, revealing the genius of the new songs to their attentive audience. Then after a 15 mn interval, we got something completely different: a few tracks from their Iron Sky soundtrack with the movie's stunning visuals playing on the screens behind; we were also treated to everyone's favourite, "Tanz Mit Laibach", and of course to a few deconstructed covers, including Dylan's "Ballad of a Thin Man" and Serge Gainsbourg's "Love On The Beat". As someone who absolutely loathe both individuals and their work, I was first taken aback by the choice of songs, but then I remembered that this is what Laibach do: they take the most absurd popular songs and give them the Laibach treatment: they redefine them entirely by reshaping and remodelling them through the industrial filter, injecting them with the harshness and the edge they never had and pumping a little bit of life into them. Fabulous. Saturday, we were in London for the Classic car boot sale at Southbank, organised by Vintage By Hemingway. The weather was glorious and the place was packed with loads of cool and happy people, wonderful cars and jam-packed stalls; the atmosphere was lovely and the location iconic... What else is there to say? Here are a few pictures! We made a detour via The British Museum to get tickets for The Vikings exhibition... Yesss! Then we ended up at The Barbican cinema to see Under The Skin... I have been waiting to see this movie for MONTHS.
Michel Faber is my favourite author, and I really wondered how on earth his unforgettable novel could be turned into a movie. I am still thinking about it; as my partner said when the lights went back up after the film: "I didn't want it to end". And I felt the same: it is truly mesmerising and gripping. It's bleak and unforgiving. There is very little dialogue; the music is brooding, distorted, haunting, basically: perfect... (soundtrack by Mica Levi). Scarlett Johansson, whom I have always thought of as being interesting as well as stunning, is deeply touching; a naturally fatale femme... (I have always been interested in the Femme Fatale concept; they are always the most interesting ones, remember Louise Brooks's Lulu?). Director Jonathan Glazer has removed a lot of the original story and changed quite a few things around; he has - dare I say it in the context of the novel? - removed the meat and kept only the skeleton of the story - but said skeleton is what keeps the body upright, isn't it? - Same here. Spared down to the minimum - namely, the alien and her reaction to the world around her, with a setting transported from the rural A9 road in the book to the decaying urban landscape of Glasgow. I was fascinated by the sequences in which the alien observes the strange behaviour of the humans around her - how many times have I found myself in the streets, in a venue, or simply in the same room as other people and thought that I didn't belong to the same world or species? My strong misanthropic streak made me feel completely at ease watching Under The Skin. It looked like the landscape in my head... I couldn't say whether Under The Skin is technically a good movie; I go for gut instinct, and I loved it. Tonight, I'm off to see the bonkers The Grand Budapest Hotel. This should be a fun evening! Pictures by Carya Gish and Matt ArtPix. |
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March 2025
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